Hip-Hop Is History by Questlove review – a soundtrack for the world, from the Sugarhill Gang to Kanye West

The Roots drummer, DJ, author and director is the ‘Ken Burns of black music’, and his personal reflections on a genre that last year turned 50 are full of wisdom and charm

Hip-hop officially turned 50 last year. It is generally accepted that it was born on 11 August 1973, when 18-year-old DJ Kool Herc first cut up breakbeats at a party in the Bronx and his friend Coke La Rock rapped along, but this DJ-driven art form, which evolved parallel to disco, took another six years to spawn its first hit single, the Sugarhill Gang’s Rapper’s Delight. The star MCs emerged in its second decade, each one redrawing the bounds of the possible. Run-DMC stripped it down, then Public Enemy blew it up. De La Soul made it friendly, Kool Keith made it freaky, NWA made it outrageous, and so on. Always changing, always expanding.

Nobody knows more about hip-hop, and perhaps popular music in general, than Ahmir “Questlove” Thompson. Still drumming with the Roots, the Philadelphia hip-hop crew that have been Jimmy Fallon’s TV house band since 2009, he is also the Oscar-winning director of Summer of Soul, a prolific author, podcaster and DJ, and the man tasked with herding cats for the Grammys’ salute to hip-hop at 50. Two years older than the art form itself, he has become its unofficial curator, the Ken Burns of black music, the nerd’s nerd. “History is how change gets marked and assessed,” he writes in his eighth book. “It’s a communal form of memory and a collective acknowledgment that what we remember matters.”

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