Chuck Chuck Baby review – emotionally charged musical drama rules the roost

Chuck Chuck Baby review – emotionally charged musical drama rules the roost

Louise Brealey plays Helen, a chicken factory worker who gets a second chance at love, in Janis Pugh’s uplifting crowdpleaser

There is a terrific warmth and emotional generosity to this romantic comedy-drama from the Welsh film-maker Janis Pugh, and if the storytelling in the end hits some familiar C-major chords, it’s not before a lot of inventive entertainment with quasi-musical sequences showing people singing along to the radio or the stereo morphing into full-on fantasy. I can imagine this being a stage musical crowdpleaser with serious ker-ching potential, packing the audiences in like something by Tim Firth or Willy Russell.

Louise Brealey and Annabel Scholey give seductive lead performances. Brealey plays Helen, a gentle soul living in a small town on the Welsh border with Merseyside, working at a local chicken factory. Her personal life is a deeply unhappy mess: her bullying and emotionally damaged husband has brought his girlfriend and their new baby (called Jacob-Rees) to live with them, and it’s furthermore Helen’s job to look after his ailing mother Gwen (Sorcha Cusack), who is the only person who has ever really cared for Helen.

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