Doja Cat review – bombastic show of strength from pop’s great contrarian

Doja Cat review – bombastic show of strength from pop’s great contrarian

OVO Hydro, Glasgow
The chameleonic rapper and singer plays it both cocky and cute as she squares up to the crowd and bravely ditches some of her biggest hits

‘I’m a puppet, I’m a sheep, I’m a …” Doja Cat pauses, coyly. Her frenzied audience fills in the rest: “Cash cow!” A natural provocateur, the LA rapper and singer has a complex relationship to her pop star status, her megahit discography and the fans who stream it. Demons, a seething, brass-heavy rap single from her latest album Scarlet, posits all-conquering success as a kind of immunity from criticism, yet as she lists her victories (“I just bought a limousine”) she theatrically rolls her eyes.

Doja is a contrarian, but one with an unusually focused vision. She hangs off a rope made out of twisted blond hair, like a freaky Indiana Jones, on a stage which is half UFO, half Yeti: gleaming metal walkways, risers draped in more fake hair, and a ludicrous amount of pyrotechnics. Snaking lines of fire whip left and right, large flames blasting upwards when she cocks a finger during early single Tia Tamera.

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