LSO/Adès review – Adès’s violin concerto beguiles in

Barbican, London
The UK premiere of the composer’s concerto written for Anne-Sophie Mutter was placed alongside two of Stravinsky’s ballet scores in this musically rich and vivid concert

The list of composers who have written concertos for violinist Anne-Sophie Mutter is a long and varied one, from André Previn and John Williams to Wolfgang Rihm and Unsuk Chin. The latest name to be added to that distinguished list is Thomas Adès; Mutter gave the premiere of his Air at last year’s Lucerne festival, and she was also the soloist in its UK premiere, with the composer himself conducting the London Symphony Orchestra.

Composed during lockdown in 2020 and 2021, Air carries the subtitle Homage to Sibelius, and certainly there is an echo of the modal opening of that composer’s Sixth Symphony in the way that it begins, not in obvious thematic terms, as much as in the sense of tranquil reflection that the works share, as Adès’s soloist weaves a gossamer thread of sound through the orchestra’s stepwise descending lines, which gradually build, layer on layer, colour on colour, until the full ensemble is involved.