At its core, Only Murders in the Building has always been about storytelling: the personas we build, the alibis a criminal constructs, even the narratives we make up about the neighbors around us we don’t really know. The show reflects this love of stories by highlighting different modes of storytelling from season to season. Seasons 1 and 2 took on true crime podcasting, Season 3 took a turn for the theatrical, and Season 4 jets off to Hollywood for a movie-centric whodunnit.
Only Murders in the Building‘s focus on film adds a new layer of chaos to Charles (Steve Martin), Oliver (Martin Short), and Mabel’s (Selena Gomez) adventures this season. Not only are they investigating the disappearance of Charles’ stunt double, Sazz Pataki (Jane Lynch), they’re also dealing with a nonstop parade of Hollywood executives and demanding actors, any of whom could be homicidal. But don’t let the trio’s excursions to Los Angeles fool you — Only Murders in the Building is still firmly rooted in the Arconia, a setting that remains as twisty, intriguing, and fun as the series itself.
Charles, Oliver, and Mabel take Hollywood in Only Murders in the Building Season 4.
Credit: Disney / Eric McCandless
As Season 4 opens, Charles, Oliver, and Mabel receive some potentially life-changing news: Their Only Murders in the Building podcast has been optioned for a movie adaptation, and the studio is fast-tracking the production. So our trio is off to Hollywood, where they’ll sign away their life rights to producer Bev Melon (Molly Shannon) and meet the actors playing their movie counterparts. Enter Eugene Levy, Zach Galifianakis, and Eva Longoria, all playing exaggerated versions of themselves in their quests to embody Charles, Oliver, and Mabel.
Yet despite all the glitz and glamor of Hollywood, something doesn’t feel quite right to Charles. Following Oliver’s Death Rattle Dazzle opening night party, Sazz has seemingly fallen off the face of the earth. Audiences will remember that she got shot in Charles’s kitchen at the end of Season 3, but by the start of Season 4, all traces of her have vanished from his apartment, leaving our podcasters in the dark. As Charles begins to piece together that something bad might have happened to his dear old friend — and that he may have been the intended target — he and his co-hosts return to New York for more sleuthing, with the film production following close behind.
Once there, Only Murders in the Building Season 4 adds several new twists to what we already know about the Arconia, including introducing a whole crew of suspicious tenants living in the building’s West Tower. Played by the likes of Richard Kind, Kumail Nanjiani, and Daphne Rubin-Vega, the “Westies” are an eclectic bunch, with hobbies ranging from ultra-competitive card game nights to overzealous Christmas decor. (But could their interests extend… to murder?) This batch of suspects fits right in with the rest of the Arconia’s kooky residents, proving that even after three seasons, Only Murders in the Building still has plenty elements of its titular building to explore.
Only Murders in the Building Season 4 is a grand time at the movies.
Credit: Disney / Eric McCandless
On top of the Westies, Season 4’s film elements keep Only Murders in the Building feeling fresh, just as the Broadway storyline did in Season 3.
Take the addition of Levy, Galifianakis, and Longoria. Their appearance here feels like the logical progression of Only Murders in the Building‘s tradition of having major guest stars like Sting, Matthew Broderick, and Mel Brooks play themselves. Only instead of being quick cameos, Levy, Galifianakis, and Longoria are in it for the long haul, appearing across multiple episodes and serving as funhouse mirrors through which our characters see themselves.
This new trio of actors also gives Only Murders in the Building several new character pairings to play with. The usually chipper Oliver has a tough time with Galifianakis, who points out his every flaw and dismisses him at every turn. Elsewhere, Levy and Martin prove a bumbling match in comedy heaven, and Longoria brings a healthy dash of Desperate Housewives energy to her scenes with an often-confused Mabel.
Beyond its casting, Only Murders in the Building uses its focus on movies as an opportunity to pay homage to some classics. Each episode takes its name from a movie, including Once Upon a Time in the West and Valley of the Dolls, and often features a callout (some more direct than others) to said film. The result is a winding road through the movies and a love letter to how they get made, spotlighting writers, directors, stunt men, and more.
Exploring films across time also prompts Only Murders in the Building to experiment a bit with its own form, including a documentary-style episode that, while sometimes feeling a bit forced, still shows that the series is ready and willing to take more risks. All it needs is a great story and a desire to tell it, and Season 4 has both in spades.
Only Murders in the Building Season 4 premieres Aug. 27 on Hulu, with a new episode every Tuesday.
