‘The album expressed a position on heteronormativity. I’d sing a male part or lesbian part. It’s normal now, but 25 years ago it felt electrifying’
I initially conceived the album as a poster, to get myself out of obscurity: I pictured glitzy gold-leaf calligraphy reading “Come and hear 100 songs”. Then I thought about getting four drag queens to sing 25 songs each, but realised that since I’d have to make the album in order to teach them the songs, I may as well make it myself.