The Order review – Jude Law leads neo-Nazi-hunting thriller with confident authority

The Order review – Jude Law leads neo-Nazi-hunting thriller with confident authority

Venice film festival
Law is commanding opposite an icy Nicholas Hoult in true-crime story about the takedown of a far right militia in the 1980s

You wouldn’t want to spend time with the kind of people you meet in the films of Australian director Justin Kurzel: the deranged loner of Nitram or the killers of his peerlessly disturbing debut Snowtown. Now, in The Order, Kurzel turns his attention to American neo-Nazis, and the people who hunt them – and, in the shape of Jude Law’s profoundly damaged FBI agent, the latter are not the cuddliest characters either. Premiering in competition at the Venice film festival, true-crime drama The Order is about the most dynamic thing seen on the Lido in the event’s first few days, and affirms Kurzel’s status as a formidable auteur, especially when it comes to the dark stuff.

Scripted by Zach Baylin and based on the book The Silent Brotherhood by Kevin Flynn and Gary Gerhardt, The Order recounts the early 80s hunt for a neo-Nazi militia group: a splinter faction from an extreme-right church, led by fanatics who want to stop praying and put the white supremacist agenda into murderous action. Law, who also produced, plays Terry Husk, the FBI man who arrives in the Pacific northwest to pursue the faction, while carrying scars from his career fighting the KKK and the mob; Tye Sheridan is a local cop who befriends him.

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