Franki Raffles: Photography, Activism, Campaign Works; Hannah Perry: Manual Labour – review

Franki Raffles: Photography, Activism, Campaign Works; Hannah Perry: Manual Labour – review

Baltic, Gateshead
The late photographer’s intense portraits of women around the world feel like disappearing history. Upstairs, Perry’s multimedia show exploring work, childbirth and class runs from the sublime to the brutal

The British photographer Franki Raffles (1955-94) died shockingly young, as a result of complications following the birth of twin daughters. But by then she had already amassed almost 40,000 images of women at work the world over. Her photographs are as strong as their subjects. Raffles photographed women in the Philippines, Israel and China, the Orkneys, Mexico and Ukraine. She portrayed harvesters at dawn and cleaners at midnight, seasonal onion pickers, part-time teachers and lifelong factory workers. She was a tireless activist of the camera.

Her photographs amounted to campaigns – look and learn, see what is going on, what it is like for these women, then do what you can – sometimes with a specific end in mind. Anyone who waited at the bus stops of Edinburgh in the 80s, for instance, as I did, will remember Raffles’s devastating photographic protests against male violence.

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