The spoken word artist and podcaster’s hybrid of social history and rallying cry is heartfelt, if occasionally hectoring
George Mpanga, better known as George the Poet, is a British-Ugandan spoken word artist, poet and rapper. In 2019 he was offered, and turned down, an MBE, a gesture indicative of his progressive politics. He is best known for his award-winning podcast, Have You Heard George’s Podcast?, which has won him legions of fans. Wittily and rhythmically, the show combines social commentary, activism and music. It contains many of the principal ingredients of Track Record: Me, Music and the War on Blackness, Mpanga’s part-memoir, part-treatise on the history of anti-Blackness.
He begins the book in personal mode: he’s at a party when a mansplaining white chap called Will bulldozes into a nuanced conversation between three Black people about representations of Black experience. Thankfully, Track Record is not merely a corrective of Will’s wrongheadedness. Its main concern is addressing Black readers. At its clearest, Mpanga’s writing, full of conviction and integrity, focuses on the importance of “Afro-descended peoples” globally working together. Like Akala’s Natives, it’s a rallying cry for Black communities to re-educate themselves about their histories; to empower themselves and change their worlds.
