The US musician went from homelessness to multiplatinum success with the thrash metallers – and then became a pop cultural icon in Japan. He explains the weirdest portfolio career in rock
It’s one of the most perplexing questions in heavy metal history: how does a bullet-wearing guitarist for Megadeth end up critiquing beauty products on Japanese daytime TV? “I started getting addicted to the challenge of: can I really do this?”, laughs Marty Friedman. “And the hardest one was being a judge on a show where these girls were doing makeup makeovers. I can’t think of anything I care less about in the entire world. ‘Well, she looked better with the foundation on after the blush!’”
Marty Friedman joined Megadeth in 1990 and helped the thrash band become a platinum-selling mainstream force that decade – one of the genre’s “Big Four” alongside Metallica, Slayer and Anthrax – but he walked away in 2000, and three years later he left the US altogether to start a new life in Japan, where as well as making music as a solo artist, he has established himself as an improbable but sizeable pop-cultural marvel.
