This lively, accessible insight into a quartet of female writers in Elizabethan and Jacobean England explores the complex political, patriarchal and religious backdrop to their lives
Virginia Woolf, in her seminal essay A Room of One’s Own, famously asserted that any hypothetical sister of William Shakespeare would have had her literary gifts thwarted from the outset, thanks to the restrictions on women’s education in the Elizabethan age, not to mention the burdens of motherhood and domestic drudgery.
In the last few decades, the field of feminist literary and historical studies has vastly expanded, holding up to the light those female writers who, despite Woolf’s dismissal, did exist and create in Elizabethan and Jacobean England. Ramie Targoff, professor of English at Brandeis University in Massachusetts, sets out to examine the life and work of four of the most prominent in Shakespeare’s Sisters: Four Women Who Wrote the Renaissance. One is the prolific diarist Anne Clifford, who was certainly known to Woolf because her lover, Vita Sackville-West – a direct descendant of Clifford – had published Anne’s early diaries. Where Woolf regarded Anne as “practical and little educated”, “busied with all the cares of wealth and property”, Sackville-West praised her “sharp, vigorous mind”. In Targoff’s account, Anne – who lived to be 86 – emerges as determined and independent minded, her writing offering a vivid account of her personal battle to assert her rights after she was disinherited from her father’s estate.
