The Pogues review – triumphant tribute to energy and poetry of band’s early days

The Pogues review – triumphant tribute to energy and poetry of band’s early days

Hackney Empire, London
An inspired cast of guests from Nadine Shah to Jim Sclavunos stand in for the late Shane MacGowan in a raucous run-through of the band’s debut album and other highlights

With late frontman Shane MacGowan replaced by a succession of guests, this 40th anniversary show for the Pogues’ debut album, Red Roses For Me, could so easily have been a pale imitation, glorified karaoke. And yet, it’s utterly triumphant. There are no overwrought speeches, only a brief dedication to MacGowan and other departed bandmates Darryl Hunt and Philip Chevron, and the Dubliners’ Ronnie Drew before The Irish Rover. Instead, they pay more fitting tribute by tapping back into the tornado of energy, passion and poetry that made the Pogues thrilling to begin with.

Within a nanosecond of opener Transmetropolitan, it’s pandemonium amid a sell-out crowd who burst instantly into a hundreds-strong mosh, bellowing back every word. The Battle Of Brisbane pushes things even higher; Greenland Whale Fisheries a notch higher than that. By Boys From The County Hell, it’s totally feral.

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