The Essex Serpent author’s fourth novel, about a newspaper columnist who lives a double life, mixes themes of faith and physics to powerful effect
Sarah Perry’s third book, Melmoth, remains, to my mind, one of the most complex and brilliant novels of the past few decades: a serious and haunting attempt to wrestle with the darkest elements of the 20th century. Perry remains best known for The Essex Serpent, her bestselling story of science, faith and monsters in late-19th-century England. Her extraordinary and ambitious fourth novel, Enlightenment, might best be thought of as a combination of the previous two books, being almost a sequel to The Essex Serpent and containing within it regular, uncanny echoes of Melmoth.
The book opens in 1997 with the Hale-Bopp comet high in the sky over the (fictional) Essex town of Aldleigh, just up the river from the Blackwater marshes and the half-drowned (and also fictional) village of Aldwinter, setting for The Essex Serpent. Our hero is the unlikely figure of Thomas Hart, “a man of Essex, for his sins”, who is 50, bookish, gay, and a columnist for the Essex Chronicle. He “had about him the melancholy religious air of a defrocked priest” and it’s no wonder: he lives a double life, travelling down to London to pick up men before returning to sit in the pews at the Bethesda chapel, a congregation of Strict and Particular Baptists.
